“Individually, the Kilobots have very limited capabilities and they also make mistakes. But the algorithm made specially to govern their behaviour is able to overcome these limitations.
In designing their robotic swarm, the researchers drew inspiration particularly from ants. Masses of army ants, Dr Rubenstein explained, also assemble themselves into structures (like nests and rafts) that defy the limitations of an individual six-legged specimen.”
Phantom Of The Paradise was a commercial disappointment elsewhere, but in Winnipeg, it became a local sensation. What about that remote city let Brian De Palma’s classic thrive?
Kolibri (Sega 32X)
Such gamers see our virtual world as a fragile and ephemeral one, perpetually under threat from outside forces. For the many gamers who lived through the 80s and 90s, growing up at a time when video games and Dungeons and Dragons were being scapegoated for mass shootings, suicide, and Satanism, the experience left a psychic scar that expresses itself as a violent reflex at the first sign of criticism.
|—||A comment to a review of Soylent, a Kickstarter-backed “nutritional sludge” that describes itself as an “open-sourced nutritional drink” named after a science-fiction movie about cannibalism. (See also, “The Tech Utopia Nobody Wants: Why the World Nerds Are Creating Will be Awful”). (via twiststreet)|